Production

Every open task across preparation, production, crew, script and sales in one list. Red until it is allocated, orange while somebody has it, amber when they say it is done, green once a senior has signed it off. Views by person, by stage, or the lot.

Engagement, compliance and money for every crew member on the production. Who cannot be paid, and who cannot attend site, without going looking.

The line producer releases the week from the wrap reports. This confirmation is the written agreement the contract requires before any extra can be invoiced.

The queue, routed by value and budget position, and the Friday payment run that comes out of it.

One weekly pack read line by line against the contract it draws on, with every automatic check named.

Issue, track and amend. Issuing publishes the rates to Crew Pay and posts the committed cost to the budget.

Every pickup for cast, above the line and key crew, with times, journey lengths and the numbers to ring. The optimiser groups runs by zone and call time, holds every hard constraint, and reports every preference it could not honour rather than breaking one quietly.

The document a driver and a passenger actually receive. Print-ready.

The cornerstone document, assembled rather than retyped — scenes and pages from the Script Manager, cast calls from the day out of days, pickups and drivers from the transport plan, water and stunts and minors from the script breakdown, crew calls from Crew Pay.